Running Final Fantasy VI with an unsupported controller plugged in, even as a secondary device, can lead the game to crash. See all. View all.

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Final Fantasy VI – Release Details

Fixed several battle command issues. Default Mode: Changes have been made to the directional pad. This enables you to lift your finger and then press a directional arrow for easier control over character movement. Additions have been made to the battle command system. These modes may be enabled via the Config menu. Support for the following languages has been added: Fixed minor bugs. A number of bugs have been addressed. Nov 25, Version 2. Size Category Games. Compatibility Requires iOS 7. Compatible with iPhone, iPad, and iPod touch. All Rights Reserved. Game Center Challenge friends and check leaderboards and achievements.

Besides those that reappear here in Final Fantasy VI , there are approximately two dozen in total, with more added to later versions of the game. Critically, the game uses the setting and plot to feature heavily around Espers and their remains when deceased referred to as "magicite". When equipped the playable characters in the menu, each magicite has a specific set of magic spells that it will teach a character. Additionally, some magicite grant a statistical bonus to a character if equipped when that character gains a level.

Finally, when a character equips a piece of magicite, that character may summon the Esper that corresponds to that piece of magicite. In contrast to the medieval settings featured in previous Final Fantasy titles, Final Fantasy VI is set in a world with prominent steampunk influences. The structure of society parallels that of the latter half of the 19th century, with opera and the fine arts serving as recurring motifs throughout the game, [6] and a level of technology comparable to that of the Second Industrial Revolution.

During the first half of the game, the planet is referred to as the World of Balance, and is divided into three lush continents. The northern continent is punctuated by a series of mountain ranges, the southern continent has been mostly subjugated by the cruel Gestahl Empire, and the eastern continent is home to the Veldt, a massive wilderness inhabited by monsters from all over the world.

An apocalyptic event mid-game transforms the planet into the World of Ruin; its withering landmasses are fractured into numerous islands surrounding a larger continent. The game alludes to a conflict known as the "War of the Magi," which occurred one thousand years prior to the beginning of the game. In this conflict, three quarreling entities known as the "Warring Triad" used innocent humans as soldiers by transforming them into enslaved magical beings called Espers.

The Triad realized their wrongdoings; they freed the espers and sealed their own powers inside three stone statues. The concept of magic gradually faded to myth as mankind built a society extolling science and technology. Using these espers as a power source, the Empire has created "Magitek", a craft that combines magic with machinery including mechanical infantry and infuses humans with magical powers.

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Final Fantasy VI features fourteen permanent playable characters , the most of any game in the main series, as well as several secondary characters who are only briefly controlled by the player. The starting character, Terra Branford , is a reserved half-human, half-esper girl who spent most of her life as a slave to the Empire, thanks to a mind-controlling device, and is unfamiliar with love.

Description

Most of the main characters in the game hold a significant grudge against the Empire and, in particular, Kefka Palazzo , who serves as one of the game's main antagonists along with Emperor Gestahl. The clownish Kefka became the first experimental prototype of a line of magically empowered soldiers called Magitek Knights, rendering him insane; his actions throughout the game reflect his demented nature. A handful of characters have reappeared in later games. In the town of Narshe, Terra participates in an Imperial mission to seize a powerful Esper encased in ice.

Upon locating it, a magical reaction occurs between Terra and the Esper; as a result, the soldiers accompanying Terra are killed and Terra is knocked unconscious. Upon awakening, Terra is informed that the Empire had been using a slave crown to control her actions. With the crown removed, Terra now cannot remember anything more than her name and her rare ability to use magic unaided. After repelling Kefka's attack, Terra experiences another magical reaction with the frozen Esper; she transforms into a creature resembling an Esper and flies to another continent. At Vector, the party attempts to rescue several Espers; however, the Espers are already dying from Magitek experiments and choose instead to offer their lives to the party by transforming into magicite.

The reaction calms Terra and restores her memory; she reveals that she is the half-human, half-Esper child of Maduin and a human woman. To do this, she travels to the sealed gate between the human and Esper worlds. Kefka then tampers with the alignment of the statues, which upsets the balance of magic and destroys most of the surface of the world. One year later, Celes awakens on a deserted island. She learns that Kefka is using the three statutes to rule the world in a god-like manner, and that his rule is causing all life to slowly wither away.

Once Kefka is killed and the statues are destroyed, the magic and Espers disappear from the world, but Terra is able to survive by hanging onto the human half of her existence. Kitase was in charge of event production and the scenario, while Ito handled all battle aspects. The idea behind the story of Final Fantasy VI was that every character is the protagonist. All members of the development team contributed ideas for characters and their "episodes" for the overall plot in what Kitase described as a "hybrid process". Regular series character designer Yoshitaka Amano 's concept art became the basis for the models in the full motion videos produced for the game's PlayStation re-release.

By doing so, he disregarded Sakaguchi's intention to reuse the regular designs from elsewhere in the game. This enabled the use of animations depicting a variety of movements and facial expressions. For instance, unlike both Final Fantasy IV and Final Fantasy V , the world map is rendered in Mode 7, which lends a somewhat three-dimensional perspective to an otherwise two-dimensional game.

Title Data

Unlike Final Fantasy IV which was first released in North America as Final Fantasy II , there are no major changes to gameplay, [38] though several changes of contents and editorial adjustments exist in the English script. In a January interview with Super Play magazine, translator Ted Woolsey explained that "there's a certain level of playfulness and Also, some direct allusions to death, killing actions, and violent expressions, as well as offensive words have been replaced by softer expressions.

It was translated as "Go! Get them! Similarly, as Magitek soldiers watch Edgar and his guests escape on Chocobos, Kefka swears in Japanese, which was translated by Ted Woolsey as "Son of a submariner! Finally, dialogue text files had to be shortened due to the limited data storage space available on the game cartridge's read-only memory.

The PlayStation re-release featured only minor changes to the English localization. A few item and character names were adjusted, as in the expansion of "Fenix Down" to "Phoenix Down".

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The score consists of themes for each major character and location, as well as music for standard battles, fights with boss enemies and for special cutscenes. The extensive use of leitmotif is one of the defining points of the audio tracks. The " Aria di Mezzo Carattere " is one of the latter tracks, played during a cutscene involving an opera performance. This track features an unintelligible synthesized "voice" that harmonizes with the melody, as technical limitations for the SPC sound format chip prevented the use of an actual vocal track although some developers eventually figured out how to overcome the limitation a few years later.

The orchestral album Final Fantasy VI Grand Finale features an arranged version of the aria , using Italian lyrics performed by Svetla Krasteva with an orchestral accompaniment. This version is also found in the ending full motion video of the game's Sony PlayStation re-release, with the same lyrics but a different musical arrangement. The "Ending Theme" combines every playable character theme into one composition lasting over 21 minutes.

Original Sound Version. Kefka's Domain , this version of the album is the same as its Japanese counterpart, except for different packaging and small differences in the translation of some track names between the album and newer releases. Final Fantasy VI , a second arranged album, features thirteen tracks from the game, performed for piano by Reiko Nomura. Nobuo Uematsu's former rock band, The Black Mages , released a progressive metal version of Dancing Mad on their eponymous first album in Their third album, subtitled Darkness and Starlight , is so named after its premiere track: Andrew Aversa directed the creation of the album, Balance and Ruin , which contains 74 tracks from 74 artists, each with its own unique style.

The album is free and available at the OverClocked ReMix website. In Europe it was sold by itself.

Fifty thousand limited-edition copies of the Japanese version were also released in Japan and included a Final Fantasy -themed alarm clock. With the exception of the addition of two full motion video opening and ending sequences and new screen-transition effects used for the start and end of battles, the graphics, music and sound are left unchanged from the original version. The only notable changes to gameplay in addition to loading times not present in the cartridge versions involve the correction of a few software bugs from the original and the addition of a new "memo save" feature, allowing players to quickly save their progress to the PlayStation's RAM.

This was the last Game Boy Advance game released in Asia. It includes additional gameplay features, slightly better visuals, and a new translation that follows Japanese naming conventions for the spells and monsters. It does not, however, have the full-motion videos from the PlayStation version of the game. Four new espers are in this re-release: Leviathan , Gilgamesh , Cactuar , and Diabolos. Two new areas include the Dragons' Den dungeon, which includes the Kaiser Dragon, a monster coded but not included in the original, and a "Soul Shrine", a place where the player can fight monsters continuously.

Three new spells also appear, and several bugs from the original are fixed. In addition, similarly to the other handheld Final Fantasy re-releases, a bestiary and a music player are included. Even in the Japanese version, the music player is in English and uses the American names, e. Strago over Stragus. The various versions available in English vary in terms of content and quality. The original SNES release has a truncated script because of cartridge space limitations.

The GBA version has the full script but a lower-quality soundtrack.

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The mobile and PC versions have both the full script and the original soundtrack. Final Fantasy VI received critical acclaim and was commercially successful in Japan upon release. In mid Square's publicity department reported that the game had sold 2. GamePro rated it 5 out of 5, stating that "characters, plotlines, and multiple-choice scenarios all combine to form one fantastic game! They particularly praised the graphics, music, and the strong emotional involvement of the story. In , Nintendo Power ranked it as the eighth greatest Nintendo game, saying it "had everything you could want—heroes, world-shattering events, magic, mindless evil—plus Interceptor the wonder dog!

In , Nintendo Power listed the ending to Final Fantasy VI as one of the best finales, citing the great character moments that cement them as some of the most memorable Final Fantasy protagonists ever; they also listed the opera scene as being a demonstration of how touching and emotional role-playing games can be.

Moreover, they praised its gameplay and storyline, claiming that these aspects took "all Alternatively, they describe the game's sound effects as limited and the game itself as lacking in replay value due to having "one ending, one [fundamental] path through the plot, and Additionally, they regarded the game's English translation as "unremarkable", being "better than some but worse than others", and offered similar comments for its gameplay difficulty.

However, they referred to the game's storyline as its "most unique aspect", citing its large cast of characters, "nearly all of whom receive a great deal of development", and the "surprisingly large number of real world issues, the vast majority of which have not been addressed by any RPG before or since, ranging from teen pregnancy to suicide".

Overall, RPGamer regarded the game as an "epic masterpiece" and "truly one of the greatest games ever created". The game's release for the Game Boy Advance also garnered praise. Final Fantasy VI is often regarded as one of the best titles in the series and one of the best role-playing video games ever created. A Link to the Past and Super Metroid. Biggs and Wedge leading Terra through the snow. The poisoning of Doma. Sandy boots.

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The destruction of the world. A tragic opera. We hold these close to our hearts, and that's not even including Espers and the most poignant character themes in the series to date. So cheers, Final Fantasy VI. May your name follow us as we all tumble towards the future of art, entertainment, narrative, and everything that keeps us gaming.

They continued to cite the game's character development, and especially noted Kefka as "one of the most memorable bad guys in RPG history. Final Fantasy VI: Produced using new Silicon Graphics, Inc. SGI Onyx workstations acquired by Square, the demo was Square's first foray into 3D graphics , and many assumed that it was a precursor to a new Final Fantasy title for the Nintendo 64 video game console, which also used SGI hardware.

The game was controlled largely through mouse gestures: From Wikipedia, the free encyclopedia. Square NA: Square Electronic Arts EU: Sony Computer Entertainment. Square Enix NA: Nintendo EU: Square Enix. Yoshinori Kitase Hiroyuki Ito. Super NES. April 2, April 2, NA: October 11, March 11, NA: September 30, PAL: